Difference between revisions of "Maryanne Amacher (Q31738)"
From CanonBase
(Created claim: Instance of (P1): Women and technology (Theme) (Q31714)) | (Created claim: context (P47): Maryanne Amacher (February 25, 1938 – October 22, 2009) was an American electronic composer and sound artist with a reputation for overwhelming volume and a love for science. A student of Karlheinz Stockhausen and a collaborator of John Cage and Merce Cunningham her work anticipates some of the most important developments in media, sound and installation arts. She is best known for working extensively with psychoacoustic phenomena in which the...) | ||
| Property / context | |||
| + | Maryanne Amacher (February 25, 1938 – October 22, 2009) was an American electronic composer and sound artist with a reputation for overwhelming volume and a love for science. A student of Karlheinz Stockhausen and a collaborator of John Cage and Merce Cunningham her work anticipates some of the most important developments in media, sound and installation arts. She is best known for working extensively with psychoacoustic phenomena in which the ears themselves produce audible sound. (English) | ||
| Property / context: Maryanne Amacher (February 25, 1938 – October 22, 2009) was an American electronic composer and sound artist with a reputation for overwhelming volume and a love for science. A student of Karlheinz Stockhausen and a collaborator of John Cage and Merce Cunningham her work anticipates some of the most important developments in media, sound and installation arts. She is best known for working extensively with psychoacoustic phenomena in which the ears themselves produce audible sound. (English) / rank | |||
| + | Normal rank | ||
| Property / context: Maryanne Amacher (February 25, 1938 – October 22, 2009) was an American electronic composer and sound artist with a reputation for overwhelming volume and a love for science. A student of Karlheinz Stockhausen and a collaborator of John Cage and Merce Cunningham her work anticipates some of the most important developments in media, sound and installation arts. She is best known for working extensively with psychoacoustic phenomena in which the ears themselves produce audible sound. (English) / qualifier | |||
| + | |||
Revision as of 15:01, 17 July 2023
pioneer in electronic music, media, sound and installation arts.
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Maryanne Amacher | pioneer in electronic music, media, sound and installation arts. |
Statements
Maryanne Amacher (February 25, 1938 – October 22, 2009) was an American electronic composer and sound artist with a reputation for overwhelming volume and a love for science. A student of Karlheinz Stockhausen and a collaborator of John Cage and Merce Cunningham her work anticipates some of the most important developments in media, sound and installation arts. She is best known for working extensively with psychoacoustic phenomena in which the ears themselves produce audible sound. (English)
0 references