Difference between revisions of "Theatrical Heritage, Challenges and Opportunities (Q11329)"
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(Removed claim: Available item to be reused (P14): a) | (Created claim: mentions (P78): collection (Q118)) | ||||||||||||||
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| Property / Field: theatre, art and event history / rank | |||||||||||||||
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| Property / Editor: Bruno Forment / rank | |||||||||||||||
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| Property / Editor: Christel Stalpaert / rank | |||||||||||||||
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| Property / Web: https://lup.be/collections/ro_music/products/100584 / rank | |||||||||||||||
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| + | 9789462700239 | ||||||||||||||
| Property / ISBN: 9789462700239 / rank | |||||||||||||||
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| + | 6 May 2015
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| Property / Publication date: 6 May 2015 / rank | |||||||||||||||
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| Property / language: English / rank | |||||||||||||||
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| + | Despite eye-opening discoveries, exhibitions, and performances, many valuable artefacts and documents of the performing arts continue to linger in oblivion. How do these sources affect our understanding and appreciation of the theatrical past? Which challenges and opportunities arise from their reuse in modern contexts, museal and non-museal? Theatrical Heritage addresses these and related issues from a broad perspective. In accessible essays written by theatre and music scholars, performers, directors, conservators, and administrators from Europe and the USA, new methods are advanced to reactivate the theatrical past. (English) | ||||||||||||||
| Property / context: Despite eye-opening discoveries, exhibitions, and performances, many valuable artefacts and documents of the performing arts continue to linger in oblivion. How do these sources affect our understanding and appreciation of the theatrical past? Which challenges and opportunities arise from their reuse in modern contexts, museal and non-museal? Theatrical Heritage addresses these and related issues from a broad perspective. In accessible essays written by theatre and music scholars, performers, directors, conservators, and administrators from Europe and the USA, new methods are advanced to reactivate the theatrical past. (English) / rank | |||||||||||||||
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| Property / author: John A. Rice / rank | |||||||||||||||
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| Property / author: John A. Rice / qualifier | |||||||||||||||
| + | context: Theaterfeuer or Sublime Horreur, Operatic Pyrotechnics in the Eighteenth Century (English) | ||||||||||||||
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| Property / author: Jed Wentz / rank | |||||||||||||||
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| Property / author: Jed Wentz / qualifier | |||||||||||||||
| + | context: Mechanical Rules versus Abnormis Gratia, Revaluing Gilbert Austin's Chironomia (1806) as a Source for Historical Acting Techniques (English) | ||||||||||||||
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| Property / author: Nick Hunt / rank | |||||||||||||||
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| Property / author: Nick Hunt / qualifier | |||||||||||||||
| + | context: Playability A Reinvention of Contemporary Lighting Practice Drawing on Fred Bentham's 1930s Light Console (English) | ||||||||||||||
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| Property / author: Michael Burden / rank | |||||||||||||||
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| Property / author: Michael Burden / qualifier | |||||||||||||||
| + | context: Divas, Arias, and AcrimonyThe Revolving Door of Musical Resources for London's Italian Opera (English) | ||||||||||||||
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| Property / author: Margaret R. Butler / rank | |||||||||||||||
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| Property / author: Margaret R. Butler / qualifier | |||||||||||||||
| + | context: The Misadventures of Artaserse (Turin, 1760)J. C. Bach's First Italian Opera from Production to Performance (English) | ||||||||||||||
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| Property / author: Bruno Forment / rank | |||||||||||||||
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| Property / author: Bruno Forment / qualifier | |||||||||||||||
| + | context: The Mechanics of Magic (or Vice Versa) Sigrid T'Hooft and the Historically Informed Performance of Opera (English) | ||||||||||||||
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| Property / author: Christine Fischer / rank | |||||||||||||||
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| Property / author: Christine Fischer / qualifier | |||||||||||||||
| + | context: Affective Education and Performative Space In Francesca Caccini's La liberazione di Ruggiero dall'isola d'Alcina (1625 and 2012) (English) | ||||||||||||||
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| Property / author: Timothy De Paepe / rank | |||||||||||||||
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| Property / author: Timothy De Paepe / qualifier | |||||||||||||||
| + | context: The Virtual Reconstruction of Theatrical Heritage (English) | ||||||||||||||
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| Property / author: Thomas Crombez / rank | |||||||||||||||
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| Property / author: Thomas Crombez / qualifier | |||||||||||||||
| + | context: The Document as Event, Assessing the Value of Digital Collections for Theatrical Heritage (English) | ||||||||||||||
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| Property / author: Raphaèle Fleury / rank | |||||||||||||||
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| Property / author: Raphaèle Fleury / qualifier | |||||||||||||||
| + | context: rom the Conservation to the Production of Archives, The Portail des Arts de la Marionnette, Reference and Vehicle for New Ambitions in the Cultural Heritage of the Performing Arts (English) | ||||||||||||||
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| Property / author: Maarten De Pourcq / rank | |||||||||||||||
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| Property / author: Maarten De Pourcq / qualifier | |||||||||||||||
| + | context: Beyond the Archive, Safeguarding Theatrical Heritage: a Strategy for the Empowerment of Artistic Communities (English) | ||||||||||||||
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| Property / author: Staf Vos / rank | |||||||||||||||
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| + | context: Beyond the Archive, Safeguarding Theatrical Heritage: a Strategy for the Empowerment of Artistic Communities (English) | ||||||||||||||
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| Property / author: Jerôme Maeckelbergh / rank | |||||||||||||||
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| Property / author: Jerôme Maeckelbergh / qualifier | |||||||||||||||
| + | context: The 'Bourla' in Antwerp, Machinery from 1834 on the Brink of Dismantling? (English) | ||||||||||||||
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| Property / author: Frank Peeters / rank | |||||||||||||||
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| + | context: O Tempora, O Mores, A Discourse of Neglect and Destruction (English) | ||||||||||||||
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| Property / mentions: Light Console / rank | |||||||||||||||
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| Property / mentions: pyrotechnics / rank | |||||||||||||||
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| Property / mentions: acting / rank | |||||||||||||||
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| Property / mentions: theatre, art and event history / rank | |||||||||||||||
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| Property / mentions: Bourla wooden machinery / rank | |||||||||||||||
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| Property / mentions: Bourla theatre [Antwerp, BE] / rank | |||||||||||||||
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| Property / mentions: Flemish theatre, Antwerp (BE) [Antwerp] / rank | |||||||||||||||
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Latest revision as of 13:21, 3 December 2023
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Theatrical Heritage, Challenges and Opportunities | No description defined |
Statements
9789462700239
0 references
Theaterfeuer or Sublime Horreur, Operatic Pyrotechnics in the Eighteenth Century (English)
0 references
Mechanical Rules versus Abnormis Gratia, Revaluing Gilbert Austin's Chironomia (1806) as a Source for Historical Acting Techniques (English)
0 references
Playability A Reinvention of Contemporary Lighting Practice Drawing on Fred Bentham's 1930s Light Console (English)
0 references
Divas, Arias, and AcrimonyThe Revolving Door of Musical Resources for London's Italian Opera (English)
0 references
The Misadventures of Artaserse (Turin, 1760)J. C. Bach's First Italian Opera from Production to Performance (English)
0 references
The Mechanics of Magic (or Vice Versa) Sigrid T'Hooft and the Historically Informed Performance of Opera (English)
0 references
Affective Education and Performative Space In Francesca Caccini's La liberazione di Ruggiero dall'isola d'Alcina (1625 and 2012) (English)
0 references
The Document as Event, Assessing the Value of Digital Collections for Theatrical Heritage (English)
0 references
rom the Conservation to the Production of Archives, The Portail des Arts de la Marionnette, Reference and Vehicle for New Ambitions in the Cultural Heritage of the Performing Arts (English)
0 references
Beyond the Archive, Safeguarding Theatrical Heritage: a Strategy for the Empowerment of Artistic Communities (English)
0 references
Beyond the Archive, Safeguarding Theatrical Heritage: a Strategy for the Empowerment of Artistic Communities (English)
0 references
The 'Bourla' in Antwerp, Machinery from 1834 on the Brink of Dismantling? (English)
0 references
O Tempora, O Mores, A Discourse of Neglect and Destruction (English)
0 references
6 May 2015
0 references
Despite eye-opening discoveries, exhibitions, and performances, many valuable artefacts and documents of the performing arts continue to linger in oblivion. How do these sources affect our understanding and appreciation of the theatrical past? Which challenges and opportunities arise from their reuse in modern contexts, museal and non-museal? Theatrical Heritage addresses these and related issues from a broad perspective. In accessible essays written by theatre and music scholars, performers, directors, conservators, and administrators from Europe and the USA, new methods are advanced to reactivate the theatrical past. (English)
0 references