Difference between revisions of "Éliane Radigue (Q31739)"
From CanonBase
(Created claim: Instance of (P1): Women and technology (Theme) (Q31714)) | (Created claim: Internal image (P24): Eliane_Radigue.jpg) | ||||||||||||||
(8 intermediate revisions by 2 users not shown) | |||||||||||||||
Property / Instance of | |||||||||||||||
- | |||||||||||||||
Property / Instance of: Women and technology (Theme) / rank | |||||||||||||||
- | |||||||||||||||
Property / context | |||||||||||||||
+ | French composer Eliane Radigue (born January 24, 1932) first discovered electronic music on a radio show in the 50s. Shortly thereafter, thanks to a chance encounter she began an apprenticeship with Pierre Schaeffer and Pierre Henry, founders of musique concrète. When she started to make her own work, she developed a particular interest in tape feedback technique. Using feedback, tape loops, and beginning in the 70s, the ARP 2500 modular synthesizer, Radigue's haunting long duration compositions are expressions of her deep reflections on sound and listening. (English) | ||||||||||||||
Property / context: French composer Eliane Radigue (born January 24, 1932) first discovered electronic music on a radio show in the 50s. Shortly thereafter, thanks to a chance encounter she began an apprenticeship with Pierre Schaeffer and Pierre Henry, founders of musique concrète. When she started to make her own work, she developed a particular interest in tape feedback technique. Using feedback, tape loops, and beginning in the 70s, the ARP 2500 modular synthesizer, Radigue's haunting long duration compositions are expressions of her deep reflections on sound and listening. (English) / rank | |||||||||||||||
+ | Normal rank | ||||||||||||||
Property / context: French composer Eliane Radigue (born January 24, 1932) first discovered electronic music on a radio show in the 50s. Shortly thereafter, thanks to a chance encounter she began an apprenticeship with Pierre Schaeffer and Pierre Henry, founders of musique concrète. When she started to make her own work, she developed a particular interest in tape feedback technique. Using feedback, tape loops, and beginning in the 70s, the ARP 2500 modular synthesizer, Radigue's haunting long duration compositions are expressions of her deep reflections on sound and listening. (English) / qualifier | |||||||||||||||
+ | |||||||||||||||
Property / country of citizenship | |||||||||||||||
+ | |||||||||||||||
Property / country of citizenship: France / rank | |||||||||||||||
+ | Normal rank | ||||||||||||||
Property / date of birth | |||||||||||||||
+ | 24 January 1932
| ||||||||||||||
Property / date of birth: 24 January 1932 / rank | |||||||||||||||
+ | Normal rank | ||||||||||||||
Property / occupation | |||||||||||||||
+ | |||||||||||||||
Property / occupation: composer / rank | |||||||||||||||
+ | Normal rank | ||||||||||||||
Property / youtube video | |||||||||||||||
+ | |||||||||||||||
Property / youtube video: https://youtu.be/D2U0q4lZiFg / rank | |||||||||||||||
+ | Normal rank | ||||||||||||||
Property / Wikidata source | |||||||||||||||
+ | |||||||||||||||
Property / Wikidata source: Q274082 / rank | |||||||||||||||
+ | Normal rank | ||||||||||||||
Property / is used in theme | |||||||||||||||
+ | |||||||||||||||
Property / is used in theme: Women and technology (Theme) / rank | |||||||||||||||
+ | Normal rank | ||||||||||||||
Property / Internal image | |||||||||||||||
+ | |||||||||||||||
Property / Internal image: Eliane_Radigue.jpg / rank | |||||||||||||||
+ | Normal rank |
Latest revision as of 21:07, 26 October 2024
pioneer of electronic music
Language | Label | Description | Also known as |
---|---|---|---|
English | Éliane Radigue | pioneer of electronic music |
Statements
24 January 1932
0 references
French composer Eliane Radigue (born January 24, 1932) first discovered electronic music on a radio show in the 50s. Shortly thereafter, thanks to a chance encounter she began an apprenticeship with Pierre Schaeffer and Pierre Henry, founders of musique concrète. When she started to make her own work, she developed a particular interest in tape feedback technique. Using feedback, tape loops, and beginning in the 70s, the ARP 2500 modular synthesizer, Radigue's haunting long duration compositions are expressions of her deep reflections on sound and listening. (English)
0 references