Difference between revisions of "Theatrical Heritage, Challenges and Opportunities (Q11329)"
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(Created claim: author (P41): Christine Fischer (Q11504)) | (Created claim: mentions (P78): collection (Q118)) | ||
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| Property / author: John A. Rice / qualifier | |||
| + | context: Theaterfeuer or Sublime Horreur, Operatic Pyrotechnics in the Eighteenth Century (English) | ||
| Property / author: Jed Wentz / qualifier | |||
| + | context: Mechanical Rules versus Abnormis Gratia, Revaluing Gilbert Austin's Chironomia (1806) as a Source for Historical Acting Techniques (English) | ||
| Property / author: Nick Hunt / qualifier | |||
| + | context: Playability A Reinvention of Contemporary Lighting Practice Drawing on Fred Bentham's 1930s Light Console (English) | ||
| Property / author: Michael Burden / qualifier | |||
| + | context: Divas, Arias, and AcrimonyThe Revolving Door of Musical Resources for London's Italian Opera (English) | ||
| Property / author: Margaret R. Butler / qualifier | |||
| + | context: The Misadventures of Artaserse (Turin, 1760)J. C. Bach's First Italian Opera from Production to Performance (English) | ||
| Property / author: Bruno Forment / qualifier | |||
| + | context: The Mechanics of Magic (or Vice Versa) Sigrid T'Hooft and the Historically Informed Performance of Opera (English) | ||
| Property / author: Christine Fischer / qualifier | |||
| + | context: Affective Education and Performative Space In Francesca Caccini's La liberazione di Ruggiero dall'isola d'Alcina (1625 and 2012) (English) | ||
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| + | |||
| Property / author: Timothy De Paepe / rank | |||
| + | Normal rank | ||
| Property / author: Timothy De Paepe / qualifier | |||
| + | context: The Virtual Reconstruction of Theatrical Heritage (English) | ||
| Property / author | |||
| + | |||
| Property / author: Thomas Crombez / rank | |||
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| Property / author: Thomas Crombez / qualifier | |||
| + | context: The Document as Event, Assessing the Value of Digital Collections for Theatrical Heritage (English) | ||
| Property / author | |||
| + | |||
| Property / author: Raphaèle Fleury / rank | |||
| + | Normal rank | ||
| Property / author: Raphaèle Fleury / qualifier | |||
| + | context: rom the Conservation to the Production of Archives, The Portail des Arts de la Marionnette, Reference and Vehicle for New Ambitions in the Cultural Heritage of the Performing Arts (English) | ||
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| + | |||
| Property / author: Maarten De Pourcq / rank | |||
| + | Normal rank | ||
| Property / author: Maarten De Pourcq / qualifier | |||
| + | context: Beyond the Archive, Safeguarding Theatrical Heritage: a Strategy for the Empowerment of Artistic Communities (English) | ||
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| Property / author: Staf Vos / rank | |||
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| Property / author: Staf Vos / qualifier | |||
| + | context: Beyond the Archive, Safeguarding Theatrical Heritage: a Strategy for the Empowerment of Artistic Communities (English) | ||
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| Property / author: Jerôme Maeckelbergh / rank | |||
| + | Normal rank | ||
| Property / author: Jerôme Maeckelbergh / qualifier | |||
| + | context: The 'Bourla' in Antwerp, Machinery from 1834 on the Brink of Dismantling? (English) | ||
| Property / author | |||
| + | |||
| Property / author: Frank Peeters / rank | |||
| + | Normal rank | ||
| Property / author: Frank Peeters / qualifier | |||
| + | context: O Tempora, O Mores, A Discourse of Neglect and Destruction (English) | ||
| Property / mentions | |||
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| Property / mentions: Light Console / rank | |||
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| Property / mentions: pyrotechnics / rank | |||
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| Property / mentions: acting / rank | |||
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| Property / mentions: theatre, art and event history / rank | |||
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| Property / mentions: Bourla wooden machinery / rank | |||
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| Property / mentions: Bourla theatre [Antwerp, BE] / rank | |||
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| Property / mentions: Flemish theatre, Antwerp (BE) [Antwerp] / rank | |||
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| Property / mentions: collection / rank | |||
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Latest revision as of 13:21, 3 December 2023
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Theatrical Heritage, Challenges and Opportunities | No description defined |
Statements
9789462700239
0 references
Theaterfeuer or Sublime Horreur, Operatic Pyrotechnics in the Eighteenth Century (English)
0 references
Mechanical Rules versus Abnormis Gratia, Revaluing Gilbert Austin's Chironomia (1806) as a Source for Historical Acting Techniques (English)
0 references
Playability A Reinvention of Contemporary Lighting Practice Drawing on Fred Bentham's 1930s Light Console (English)
0 references
Divas, Arias, and AcrimonyThe Revolving Door of Musical Resources for London's Italian Opera (English)
0 references
The Misadventures of Artaserse (Turin, 1760)J. C. Bach's First Italian Opera from Production to Performance (English)
0 references
The Mechanics of Magic (or Vice Versa) Sigrid T'Hooft and the Historically Informed Performance of Opera (English)
0 references
Affective Education and Performative Space In Francesca Caccini's La liberazione di Ruggiero dall'isola d'Alcina (1625 and 2012) (English)
0 references
The Document as Event, Assessing the Value of Digital Collections for Theatrical Heritage (English)
0 references
rom the Conservation to the Production of Archives, The Portail des Arts de la Marionnette, Reference and Vehicle for New Ambitions in the Cultural Heritage of the Performing Arts (English)
0 references
Beyond the Archive, Safeguarding Theatrical Heritage: a Strategy for the Empowerment of Artistic Communities (English)
0 references
Beyond the Archive, Safeguarding Theatrical Heritage: a Strategy for the Empowerment of Artistic Communities (English)
0 references
The 'Bourla' in Antwerp, Machinery from 1834 on the Brink of Dismantling? (English)
0 references
O Tempora, O Mores, A Discourse of Neglect and Destruction (English)
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6 May 2015
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Despite eye-opening discoveries, exhibitions, and performances, many valuable artefacts and documents of the performing arts continue to linger in oblivion. How do these sources affect our understanding and appreciation of the theatrical past? Which challenges and opportunities arise from their reuse in modern contexts, museal and non-museal? Theatrical Heritage addresses these and related issues from a broad perspective. In accessible essays written by theatre and music scholars, performers, directors, conservators, and administrators from Europe and the USA, new methods are advanced to reactivate the theatrical past. (English)
0 references