Difference between revisions of "Theatrical Heritage, Challenges and Opportunities (Q11329)"
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(Changed claim: author (P41): Margaret R. Butler (Q11430)) | (Changed claim: author (P41): Bruno Forment (Q837)) | ||
| Property / author: Bruno Forment / qualifier | |||
| + | context: The Mechanics of Magic (or Vice Versa) Sigrid T'Hooft and the Historically Informed Performance of Opera (English) | ||
Revision as of 13:11, 3 December 2023
No description defined
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Theatrical Heritage, Challenges and Opportunities | No description defined |
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Theaterfeuer or Sublime Horreur, Operatic Pyrotechnics in the Eighteenth Century (English)
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Mechanical Rules versus Abnormis Gratia, Revaluing Gilbert Austin's Chironomia (1806) as a Source for Historical Acting Techniques (English)
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Playability A Reinvention of Contemporary Lighting Practice Drawing on Fred Bentham's 1930s Light Console (English)
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Divas, Arias, and AcrimonyThe Revolving Door of Musical Resources for London's Italian Opera (English)
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The Misadventures of Artaserse (Turin, 1760)J. C. Bach's First Italian Opera from Production to Performance (English)
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The Mechanics of Magic (or Vice Versa) Sigrid T'Hooft and the Historically Informed Performance of Opera (English)
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6 May 2015
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Despite eye-opening discoveries, exhibitions, and performances, many valuable artefacts and documents of the performing arts continue to linger in oblivion. How do these sources affect our understanding and appreciation of the theatrical past? Which challenges and opportunities arise from their reuse in modern contexts, museal and non-museal? Theatrical Heritage addresses these and related issues from a broad perspective. In accessible essays written by theatre and music scholars, performers, directors, conservators, and administrators from Europe and the USA, new methods are advanced to reactivate the theatrical past. (English)
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